The first episode, or chapter, is set in 1920 at Hervey
White's "Cafe Intelligentsia" in the old quarry off Maverick Road
in Woodstock, scene of Bug's
18th Birthday party as narrated by him to Lacy and retold by her. In
it Uncle Bug introduces Lacy to the gossipy American Art World of the 1920s.
Robert
Henri happened to be spending the summer living and painting in Dr.
James T. Shotwell's house and spent long hours at the Cafe. On
Bug's birthday, he was there with his most renowned pupil, painter George
Bellows, and fellow artist,
Eugene Spiecher. Millionaire playboy
artist Robert Chanler
( Sheriff Bob to the locals) arrived in an open touring car with Gertrude
Vanderbilt Whitney, sculptor, Jo Davidson and the Metropolitan
Opera Company's founder, Otto Khan.
Bug's mother Cecily, who had been
widowed by WW I, was an art student at Vasser when she married Dirk Flotink,
Bug's Dutch father and owner of a Woodstock farm, in 1901. She knew
all the Woodstock artists and had been sketching them for years so when
Uncle Bug shared his oral history of Woodstock with Lacy he was also able
to illustrate events and personalities with his mother's drawings. Lacy
has taken those pictures and stories as the subject of her "Ghosts of Woodstock"
exhibit for the purpose of recreating Woodstock in the jazz age. Uncle
Bug's description of his 18th birthday party opened, to her, a window to
the past that proved to be a key to her understanding the future. Uncle
Bug's 18th birthday party was his first exposure to the global network
of big money art and espionage, a legacy that has now become Lacy's.
Hervey White, "the Maverick",
impresario and originator of the historic outdoor Woodstock festivals,
held every summer since 1916,
was
Bug's employer and even more explicitly initiated Bug into the freemasonry
and art of dinner table theatre. Two other "Cafe Intelligentsia" employees
imported from Greenwich Village, the anarchist cook, Hypolite Havel
and gypsy hostess, "Romny Marie", gave Bug secret passwords and
signs allowing him unlimited entry into the international demimonde.
So on with the show and let Hervey
White speak for himself "from his own unpublished autobiography now
housed in the Woodstock Public
Library. Here
he introduces the premier ghost of Woodstock, Robert Chanler, and describes
the building and naming of his cafe.
"With crowds to feed at festivals and concerts,
it was important to build a plant to give them service. The cafeteria system
being the handiest and least expensive, I planned a structure that would
seat sixty people. Three dinning rooms and a kitchen arranged in the form
of a Latin cross. The kitchen in the short arm toward the pump, the three
dinning rooms in the other arms with the serving room at the junction,
counters, tables, benches, dishes all complete. Being a rustic open structure
with slabs to wainscot. It was prettily picturesque with many gables for
above the serving room a steeped roofed second story gave apartment with
balcony platform for the cook.
Then where to get the cook was
the next problem. Greenwich Village all united on Hypolite Havel.
At that time the Russian imitation was reigning in the village and its
denizens all talking of the intelligentsia". I could never quite make out
what the word meant and decided a place to eat might well define it. Only
I changed the spelling to simpler English, much to the consternation of
the pseudo Russians, but the "Intelligentsia"
it is named to this
day. The builder was Wallace Gray father of the Gray boys, an excellent
joiner and recounter of ancient tales. " We must make it almost perfect,"
he kept saying. "The boys make your house too rough." I was so pleased
with his ancient plural, I let him putter. It was all the old Anglo-Saxon
left me from my Harvard days. We put in a stone floor, bad for dropping
dishes but cool and in good taste with bark and logs Konrad Cramer painted
a wooden totem on the tile chimney in the symbolic manner then called Freudian.
Great merrymaking and great eating met together; Eugene Spiecher
and
George Bellows took the cake".
Hervey White in his attempt
to tell us about Hypolite Havel is reminded of a person he calls Siegfried
Nacht which in turn reminds him of the story of a Mr. Lubin and
the King of Italy which he doubts has ever been published.
" Mr. Lubin was a jew from Sacramento.
In the early mining days he kept a little cleaning store and sold only
good overalls to the miners. An Irishman once threatened him if he sold
him a bad pair he would come and wreck his little place altogether. (according
to California oral history the trousers were made of Canvas sail
cloth and he added copper rivets to the pockets so that when weighed down
with gold and rock the pockets woudn't rip from the trouser) "But the
overalls were so durable and wore so well he made all the other miners
go and trade there with the result that Mr. Lubin became rich and was looking
for other worlds to conquer." (It would seem that Lubin is a name for
the original Levi Strauss and the story apocryphal but considering
Hervey Whites character there is probably more than a grain of truth in
the tale.
"Lubin became rich
and was looking for other worlds to conquer. The Orange business was suffering
from compassion. He organized the Orange growers association and made so
much money that he pooled the wheat growers as well. His ambition now became
international and he journeyed to Rome to start a world stock exchange
and there became aquatinted with the Rossettis who said they could
get him audience with the King "(Victor Emmanuel). after a two hour
interview the king pledged his support of Lubin's scheme.
Siegfried
Nacht was a Viennese Jew who was an anarchist, a terrorist, denied
citizenship throughout Europe, and got tired of it and decided to become
a citizen of the United States. The age of the anarchist." he told me is
,"runs from 18 to the 23rd year. If we don't get executed by that time
we settle down somewhere and begin to grow cabbages. I have a job
here and have taken out first papers. I want to be a conservative in the
United States. His job was translating articles. I thought I knew the technological
dictionaries from my experience in the Creror library but when I stepped
into his office one day and saw a dozen that I had never heard of. He had
a brilliant mind, was conversant with politics and a hater of tyrants and
kings. I took him to various meetings of the garment workers. I remember
meeting with Mary Austin there. It was through Grace Ellory Channing
that
I met Mr.Nacht
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